Who Chooses the Music for Liturgy and How?

Who Chooses The Music, And How?

In my last two columns, I have explained why singing plays such an important part in any liturgical celebration and indicated the priority areas for using music during Mass. The next question is: Who selects the music for parish celebrations and what criteria do they use when making choices?

The basic criterion for deciding whether a particular piece of music is suitable is the musical judgment. This involves assessing the music on its technical, aesthetic and expressive qualities. Only artistically sound music is appropriate and effective in worship.

This does not mean, however, that only one style of music should be used in liturgy. Good music is to be found across a variety of forms, including chants, metrical hymns, responsorial music, folk idiom and contemporary composition.

While all music used in liturgy needs to be good music, not all good music is suitable for liturgy. As well as the musical judgment, selecting music for worship must also be made on liturgical grounds.

In deciding whether a piece of music is liturgically appropriate, there are a number of areas to be considered. The style of the musical piece should reflect the nature of that part of the Mass where it is to be used. For example, a hymn which relates well to the readings for a particular celebration is only a good choice as an entrance song if it also serves well the purpose of gathering the assembly.

It is also important to look at the words being sung to ensure they are appropriate for the liturgy that is being celebrated. Those choosing music should understand the feasts and seasons of the Church’s year and to have studied closely the scripture readings and prayer texts for the celebration. They also need to ask whether the musical setting expresses and interprets the text correctly and makes it more meaningful.

The third criterion to be met is the pastoral judgment. This involves making decisions about whether a particular piece of music enables this assembly to express their faith at this time and in this place. Does it suit the group celebrating and their place of worship? Is it appropriate for the age, culture and education of the congregation? Is it something with which they feel comfortable and secure enough to sing well? Is it within the capabilities of the organist and song leader?

The choice of music for parish Masses is not determined by the personal preferences of the parish music co-ordinator. The musical judgment is made by the people with expertise in music and knowledge of available resources. The liturgical judgment requires knowledge of the structure, flow and spirit of the liturgy. Making sound pastoral judgments depends on knowing the tradition and culture of a particular parish community.

Consistently applying the criteria of musical, liturgical and pastoral suitability assists those who have responsibility of selecting music for the parish liturgical assembly to put a song on their lips and bring joy to their souls.


Elizabeth Harrington